From Mona to Mayhem reimagines some of history’s most iconic artworks, replacing their familiar faces with the mischievous characters of Last of the Summer Wine. By blending masterpieces like The Mona Lisa, The Scream, and The Hay Wain with this beloved Yorkshire sitcom, the collection collapses the distance between high art and everyday life. 
 
The show resonates deeply with me. Set in the landscapes near where I live, its humour, warmth, and eccentricity feel like home. I connect with its characters - their resilience, mischief, and absurdity - and by inserting them into these revered cultural landmarks, I introduce humour, personality, and a touch of chaos into spaces usually ruled by seriousness.
 
This collection isn’t just about playful parody. It’s about celebrating ordinary people, local voices, and the joy of everyday life, while challenging the conventions of art history. From Mona to Mayhem is where Yorkshire charm meets the classics, and reverence collides with irreverence.
 
In this work, Klimt’s gilded intimacy is inhabited by Barry’s awkward charm and Glenda’s warmth. Their embrace is humorous yet tender, celebrating human imperfection and comic romance. Patterns, gold leaf, and decorative motifs take on new life when paired with distinctly Yorkshire personalities.
 
Curator’s Note: Glamour and awkwardness coexist; the painting balances visual richness with character-driven storytelling, making intimacy approachable and funny.